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Dreamweaver 4 has upped the ante for integration with Macromedia s graphics engine, Fireworks. Now, images derived from Fireworks are identified as such, both in the Property Inspector and in the Assets panel. Graphics may be optimized to alter the file size, cropping, transparency, or many other aspects right from within Fireworks. If more extensive modification is required, selecting the Edit button sends the graphic back to Fireworks. More impressively, sliced images maintained as a borderless table in HTML may be edited in their entirety. Fireworks even respects HTML alterations to a degree, such as changes to URLs or converting an image slice to a text block. This degree of integration lends an amazing fluidity to the workflow.

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Materials You ll Need Routing the Parts Hacking More of the NES Assembling the Parts of the Case Wiring the Unit Testing and Troubleshooting Final Assembly in Review

of taking a stand with a large dose of humility, accepting that despite their efforts and care, they may in fact be wrong. Robert Rubin once observed that some people are more certain of everything than he is of anything. We feel the same way. One can see the investment universe as full of certainties, or one can see it as replete with probabilities. Those who re ect and hesitate make far less in a bull market, but those who never question themselves get obliterated when the bear market comes. In investing, certainty can be a serious problem, because it causes one not to reassess awed conclusions. Nobody can know all the facts. Instead, one must rely on shreds of evidence, kernels of truth, and what one suspects to be true but cannot prove. . . . It is much harder psychologically to be unsure than to be sure; certainty builds con dence, and con dence reinforces certainty. Yet being overly certain in an uncertain, protean, and ultimately unknowable world is hazardous for investors. To be sure, uncertainty breeds doubt, which can be paralyzing. But uncertainty also motivates diligence, as one pursues the unattainable goal of eliminating all doubt. Unlike premature or false certainty, which induces awed analysis and failed judgments, a healthy uncertainty drives the quest for justi able conviction.16

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(c) Show that [a, b](a, b) = lab1 5.15 Let C1 and C2 be cyclic codes generated by g1 (x) and g 2 ( x ) , respectively, with g1 (x) # g2(x). Let C3 = C1 n C2. Show that C3 is also a cyclic code and determine its generator polynomial g3(x). If dl and d2 are the minimum distances of C1 and C2, respectively, what can you say about the minimum distance of C3 5.16 Show that i-2 = 0 (mod p ) , where p is a prime. Hint: The sum of the squares of the first n natural numbers is n(n 1)(2n 1)/6. } } . 5.17 [360] Show that {as bt : s,t E Z = { k ( a ,b) : k E Z for all a, b E Z 5.18 Show that the update equations for the extended Euclidean algorithm in (5.9) are correct. That is, show that the recursion (5.9) produces si and ti satisfyingthe equation asi bti = ri for all i. Hint: Show for the initial conditions given in (5.10) that (5.8) is satisfied for i = -1 and i = 0. Then do a proof by induction.

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The number of each type of object in the stock objects collection is instructive. There are several brushes, which in practice are small, grayscale bitmaps. There are only two pens, a black one and a white one, and what doesn t show up in the table is that each of the pens is 1 pixel wide. Next there s a single system font, and we finish with the default palette. This set of objects is designed to be highly portable, and it reproduces well even on 1-bit devices. It is also designed to use an absolute minimum of memory for these necessary resources. What I take from this economy is that its possible to do an extraordinary amount of productive work without an elaborate graphical infrastructure. Think about what you need to accomplish with graphics in your application, and if at all possible consider paring down your working set of graphic objects, especially the following: